and if you think that post-title is cliché, just wait until you hear what I have to say next:
- Their 28 (!!) song set was played with such an incredible amount of energy and passion that there really was only 1 song that I would say missed by any amount… I’ve been trying to remember which song this was… it was fairly early… it was quiet… and the girl behind me could be heard to say “ooh, it’s quiet – now we can talk!”.
- Jeff Tweedy’s playful and comfortable stage presence makes you feel at home. I think he’s off drugs… or on drugs… whichever would help — at any rate, both his musicianship and frontman duties are really top notch and I’ve never seen him better.
- Nels Cline was absolutely ridiculous. My thoughts on him remain: (1) that dude can play and (2) it would suck to have been his neighbor when he was perfecting how to get exactly the right amount of feedback out of that amp. If you’re curious how good this guy is you just need to watch the other guys when he solos — they turn and watch him — literally.
Ok, so now that we have those pieces of incredible insight (that you can’t find anywhere else!) out of the way… This was the best Wilco show that I’ve been to.
Whoa, whoa, settle down. I know that it couldn’t possibly have been as good as the show that you saw at [fill in name of smaller venue] in [fill in year when you were younger] but here’s the thing: things have changed, man. It’s a different band now and them’s just the facts.
This is a polished, Overture-center-playing band now. Sure they still have their fair share of quirks (flexatone anyone?) but If you want to see that old “can you believe we get free beer just for playing” vibe again, I’m afraid you’re going to have to wait til their (headlining) gig at the 2030 Columbia County fair… of course, that doesn’t mean that every venue is going to have lids on the beers and 3/4 of the audience in their seats, but you see what I mean.
There is a reason that this particular show was so strong though, and I’m fairly convinced that Wilco knew about it coming in as well (hence the decision to stream this particular show to the universe). They chose Overture Center because they learned something during the very first song that they played at the venue in 2007: The sound of “The El” going overhead in Via Chicago is absolutely perfect. This time around, they leveraged that knowledge of the acoustics masterfully. The wall-of-sound approach isn’t always as obvious as it is in that moment in Via Chicago but they came back to it consistently and masterfully throughout the night.
I know you’re mad that they chose a decidedly un-rock venue, but the fact of the matter is: there are only so many venues where you can simultaneously play really loud and really clean. and when you’ve got guys like Nels and Pat Sansone wailing back and forth – man, that’s just tough to pass up.
set list here